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Tyger, from Songs of Innocenceby William Blake
18" x 24" Print Print
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Jacob's Ladderby William Blake
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Poison Tree, from Songs of Experienceby William Blake
18" x 24" Print Print
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God Creating the Universeby William Blake
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Songs of Innocenceby William Blake
18" x 24" Print Print
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Last Judgementby William Blake
18" x 24" Print Print
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Moses and the Burning Bushby William Blake
18" x 24" Print Print
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Divine Image, from Songs of Innocence, 1789by William Blake
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Glad Day or The Dance of Albion, c.1794by William Blake
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Mercy and Truth are met together, Righteousness and Peace have kissed each otherby William Blake
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Healing of the Woman with an Issue of Bloodby William Blake
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Transfigurationby William Blake
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Virgin and Child in Egypt, 1810by William Blake
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Songs of Innocence; the Piperby William Blake
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Songs of Innocence; Title Page, 1789by William Blake
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Songs of Innocence; Infant Joy, 1789by William Blake
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Book of Thel; Title Page, 1789by William Blake
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Marriage of Heaven and Hell; title-page, 1790-93by William Blake
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Marriage of Heaven and Hell; As a new heaven is begun, c.1790by William Blake
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America a Prophecy; 'Thus wept the Angel voice', the emergence of Orcby William Blake
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Europe a Prophecy 'Unwilling I look up', 1794by William Blake
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Europe a Prophecy; Famine, 1794by William Blake
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Europe a Prophecy; Plague, c.1794by William Blake
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First Book of Urizen; title page, showing Urizenby William Blake
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First Book of Urizen; Man floating upside down, 1794by William Blake
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First Book of Urizen: As the stars are apart from the earth, 1794by William Blake
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Book of Urizen; the creation of Urizen in material form by Los, 1794by William Blake
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Vision of Eliphaz, 1825by William Blake
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Jerusalem The Emanation of the Giant Albion: All Human Formsby William Blake
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Jerusalem The Emanation of the Giant Albion; Albion before Christ crucified on the Tree of Knowledge and Good and Evilby William Blake
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Jerusalem The Emanation of the Giant Albion: And One stood forthby William Blake
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Jerusalem The Emanation of The Giant Albion; Then the Divine Handby William Blake
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Milton a Poem: Albion on the rock, 1804by William Blake
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Mary Wollstonecraft Shelleyby William Blake
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Frontispiece to 'Original Stories from Real Life'by William Blake
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Book of Urizen; Blake's retelling of the Creation of Eve in the Creation of Enitharmonby William Blake
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William Blake (born 1757) was a visual artist from London. He studied art at the drawing academy of Henry Pars and served a 5-year apprenticeship under the commercial engraver James Basire. At the age of 22, he joined the Royal Academy School as an engraver. However, this conventional training was frustrated when he began private studies of medieval and Renaissance art. Blake was influenced by artists such as Michelangelo, Durer, and Raphael into producing “Gothic” art that he created with poetic genius and infused with Christian spirituality. Blake believed that the Bible comprised the basis of true art, and was the greatest work of poetry ever written.
In 1782, Blake fell in love and married an impoverished grocer's daughter called Catherine Boucher. Catherine would become his studio assistant. Later on, Blake discovered a unique method of "relief etching" which he could use to create single, raised printing surface for both text and image. This technique allowed Blake to control all aspects of book production. After composing the verses, he would design the illustrations, print the plates, color each sheet by hand, and bind the pages together in covers. Blake continued with his experimentations and he came up with a series of large color prints notable for their iconic designs and massive size. He described his method as "fresco." The technique looks more or less like a form of monotype: using tempera and oil paints mixed with chalks, he painted his designs onto flat surfaces. He finished the designs in watercolor and ink, making each impression unique. Today, Framed William Blake art comprise some of his most ambitious work as a visual artist.