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Fecamp, 1934by Paul Signac
30" x 22" Framed Art Frame
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Paris, 1923by Paul Signac
30" x 22" Framed Art Frame
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Cherbourg, 1931by Paul Signac
30" x 22" Framed Art Frame
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Pont Neuf, Paris, 1927by Paul Signac
30" x 22" Framed Art Frame
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Road to Gennevilliers, 1883by Paul Signac
28" x 24" Framed Art Frame
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Breeze, Concarneau, 1891by Paul Signac
27" x 24" Framed Art Frame
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Pile of Sand, Bercy, 1905by Paul Signac
30" x 22" Framed Art Frame
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Le Paillon, Nice, 1921by Paul Signac
30" x 23" Framed Art Frame
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St. Tropez, Pinewood, 1896by Paul Signac
27" x 24" Framed Art Frame
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River Bank, Petit-Andely, 1886by Paul Signac
28" x 24" Framed Art Frame
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Woman with a Parasol, 1893by Paul Signac
24" x 28" Framed Art Frame
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Notre Dame, 1885by Paul Signac
30" x 24" Framed Art Frame
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Study for The Dining Room, c.1886by Paul Signac
28" x 24" Framed Art Frame
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Erik Satieby Paul Signac
24" x 29" Framed Art Print Frame
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Lighthouse at Gattevilleby Paul Signac
30" x 19" Framed Art Frame
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Harbour at Portrieux, 1888by Paul Signac
30" x 22" Framed Art Frame
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Paul Signac (November 11, 1863 – August 15, 1935) was born in Paris. He was a French Neo-Impressionist painter who helped develop the Pointillist style while working with George Seurat. In 1892 Signac loved sailing and began to travel. He sailed in a small boat to almost all the ports of France, around the Mediterranean, to Holland, and as far as Constantinople. From his voyages, Signac brought back colorful, vibrant watercolors that he sketched rapidly from observation. From the sketches, he was able to paint large studio canvases that he carefully worked out in mosaic-like, small squares of color, quite different from the variegated, tiny dots previously used by Seurat. Signac experimented with various media, and also with watercolors and oil paintings. He made lithographs, etchings, and many ink-and-pen sketches that he created using small dots in a laborious process. Framed Paul Signac art are very popular with many collectors, and can be found in many collections, galleries, institutions, and in private homes. Signac inspired artists such as Andre Derain and Henri Matisse in, thus playing an important role in the evolution of Fauvism. From 1908 to 1935 Signac was the president of Societe des Artistes Independants. During his time at that post encouraged younger artists by exhibiting the controversial works of the Cubists and the Fauves. Signac was the first to buy a painting by Matisse. Signac met Georges Seurat and Claude Monet in 1884. He was struck by Seurat’s theory of colors and his systematic working methods.