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Agate Studies Iby Naomi McCavitt
32" x 27" Framed Artwork Frame
Agate Studies IIby Naomi McCavitt
32" x 26" Framed Artwork Frame
Vintage Garden IIby Naomi McCavitt
38" x 26" Framed Artwork Frame
Country Drive Cows IIby Naomi McCavitt
38" x 28" Framed Artwork Frame
Country Drive Cows IIIby Naomi McCavitt
38" x 28" Framed Artwork Frame
Equestrian Studies VIby Naomi McCavitt
28" x 24" Framed Artwork Frame
American Roadside VIIIby Naomi McCavitt
28" x 24" Framed Artwork Frame
Sepia Squash Iby Naomi McCavitt
28" x 24" Framed Artwork Frame
Equestrian Studies Iby Naomi McCavitt
28" x 24" Framed Artwork Frame
Equestrian Studies IIby Naomi McCavitt
28" x 24" Framed Artwork Frame
Equestrian Studies Vby Naomi McCavitt
28" x 24" Framed Artwork Frame
Abalone Shells Iby Naomi McCavitt
34" x 27" Framed Artwork Frame
Abalone Shells IIby Naomi McCavitt
34" x 27" Framed Artwork Frame
American Roadside VIIby Naomi McCavitt
28" x 24" Framed Artwork Frame
Brighton Blooms Iby Naomi McCavitt
30" x 29" Framed Artwork Frame
Brighton Blooms IIIby Naomi McCavitt
30" x 29" Framed Artwork Frame
Brighton Blooms IVby Naomi McCavitt
30" x 29" Framed Artwork Frame
""The Kicker,"" A Steel Grey Racehorseby Naomi McCavitt
28" x 24" Framed Artwork Frame
Brighton Blooms VIby Naomi McCavitt
30" x 29" Framed Artwork Frame
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Naomi McCavitt was born in Richmond VA. She has lived in many places including Phoenix, San Francisco, New York, and Seattle, before settling down back in her home town. She started making art as a child when her parents graciously allowed her to draw on, cut up, and otherwise rearrange her picture books. Since then she’s had many jobs including working in almost every position in the restaurant industry and teaching art to students of all ages from 5th graders to University students. In her spare time she always made art compulsively. She thinks that is the only criteria for calling yourself an artist and the definition of success in the arts; making work compulsively. She says it's nice when one gets paid for his/her art but not always necessary. Naomi’s work has gone through many iterations and awkward stages. While she feels humbled to look at her old work and notice her own naivety, she has recently come to really appreciate the stupid or clumsy parts of a piece of artwork. She thinks of old art as her version of the Navaho spirit line. Framed Naomi McCavitt art have become so popular that they are found in many people’s homes and also with many collectors. She’s using resources from the past for their aesthetic value. By rearranging these resources, she’s able to tell new stories where nature resists cataloging by clumping together in orgiastic defiance, where colonizers and conquerors are dwarfed by hot wilderness, where aristocrats levitate from their thoroughbreds.