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Nighthawks, 1942by Edward Hopper
36" x 24" Print Print
Gas, 1940by Edward Hopper
14" x 11" Print Print
Early Sunday Morning, 1930by Edward Hopper
14" x 11" Print Print
Lee Shore, 1941by Edward Hopper
24" x 16" Art Print Print
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Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine, 1927by Edward Hopper
14" x 11" Print Print
Room in Brooklyn, 1932by Edward Hopper
19" x 16" Art Print Print
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Night Shadows, 1921by Edward Hopper
20" x 18" Artwork Print Print
My Roof 1928by Edward Hopper
35" x 24" Art Print Print
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Lee Shore, 1941by Edward Hopper
36" x 24" Art Print Print
+ More Sizes
Automat, 1927by Edward Hopper
14" x 11" Artwork Print Print
House by the Railroad, 1925by Edward Hopper
14" x 11" Print Print
Portrait of Orleans, 1950by Edward Hopper
14" x 11" Print Print
Automat, 1927by Edward Hopper
24" x 20" Artwork Print Print
Western Motel, 1957by Edward Hopper
36" x 24" Artwork Print Print
Portrait of Orleans, 1950by Edward Hopper
36" x 26" Print Print
Rooms by the Seaby Edward Hopper
14" x 11" Print Print
Night Shadows, 1921by Edward Hopper
14" x 11" Artwork Print Print
Marshall's House, 1932by Edward Hopper
14" x 11" Artwork Print Print
Marshall's House, 1932by Edward Hopper
34" x 24" Artwork Print Print
Western Motel, 1957by Edward Hopper
14" x 11" Artwork Print Print
Hill and Houses, Cape Elizabeth, Maine, 1927by Edward Hopper
14" x 11" Print Print
Night on the El Train, 1918by Edward Hopper
11" x 14" Artwork Print Print
Hill and Houses, Cape Elizabeth, Maine, 1927by Edward Hopper
26" x 20" Print Print
Lighthouse Village (also known as Cape Elizabeth), 1929by Edward Hopper
14" x 11" Artwork Print Print
Lighthouse Village (also known as Cape Elizabeth), 1929by Edward Hopper
28" x 20" Artwork Print Print
Night on the El Train, 1918by Edward Hopper
20" x 20" Artwork Print Print
Methodist Church Tower, 1930by Edward Hopper
11" x 14" Artwork Print Print
Methodist Church Tower, 1930by Edward Hopper
26" x 32" Artwork Print Print
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Edward Hopper (22 July, 1882 – 15 May, 1967) was an American fine art artist, popular for his oil and watercolor paintings. He was also a skilled printmaker. Hopper started showing his drawing ability at the tender age of 5. He received a lot of support from his family to enable him create art. Being a realist with a focus on displaying the modern life of the American society, he captured all scenes both rural and urban. Hopper’s 6 years of art training allowed him to work with great teachers such as William Merritt Chase and Robert Henry. He created several paintings during the time, covering landscapes and still life. After completing his studies, he worked with an advertising company, creating art for magazine covers. He would later travel to Europe in different occasions to learn the emerging art trends. Hopper got to learn about different artists and was very much impressed by the works of Rembrandt. When he finally went back to America, he rented space in New York City to create his work, but had to work on illustrations as a way to survive.
At some point, his painting career went on a downward trend. Seeing no positive results, he resorted to etching in 1915 and only received widespread appreciation in the 1920s. Even through that, he would still make time to paint. He ended up earning a US Shipping Board Prize for his 1917 "Smash the Hun" war poster. Hopper’s breakthrough came in 1923 after his wife Josephine Nivision managed to have his watercolors displayed at the Brooklyn Museum. The museum bought his "The Mansard Roof" painting for $100 and admitted it in its permanent collection. At the age of 40, Hopper was receiving several awards, making several sales, and was moving fast to stability. His "Two on the Aisle" art later sold for $1,500. In 1931, many of his works were bought handsomely by Metropolitan Museum of Art, Whitney Museum of American Art and more. Framed Edward Hopper art continue to sell to date and he remains one of the most celebrated artists.